Luckily for Nora, she doesn’t have to worry about bad memories and nightmares. All she has to do is go to one of the many TFCs, a Therapeutic Forgetting Clinic. Take a number, wait your turn, tell the good doctor what you want to forget and take a pill. The memories are gone, and a person can continue his or her life, happily ever after.
While waiting at the clinic, Nora sees a teenage boy with a cast that has the word “memento” go in, come out — and as she watches, he spits out the pill and mouths the word “remember.”
Nora’s mother takes her to the TFC, and shows Nora just how easy it is by going through the process. The memory she shares is not of the explosion and dead body. It is far more personal, and far more world-shattering. Nora decides she doesn’t want to forget, that it’s important to remember, and only pretends to take the pill.
Nora and Micah (the boy in the cast) meet and compare memories. Together, they decide to spread the word that memory matters. Neither quite realize the risks they are running, by questioning the established order.
The Good: Nora’s world is about forty-odd years in the future. It’s a world where corporations are everywhere and all powerful and the divisions between the haves and have-nots have increased. The wealthy live in gated communities with their own schools and malls; the poor, if they’re lucky, sleep in their cars. Random domestic terrorist acts by the Coalition are frequent. Her school is Homeland High #17, owned and run by Homeland Inc. It’s a dystopia for some, a utopia for others. And in case life gets a little too much, just take a pill.
Nora’s family is rich; her mother is a real estate attorney and her father owns Soft Target Security, whose clients include TFC. Not quite rich enough to live in a gated community with it’s years long waitlist, but much better off than Micah, who lives in a shed because his mother, a nurse, doesn’t have a good enough credit rating to rent an apartment. Some families chose not to live the “real American” way as described by Nora’s father: “real Americans worked hard and bought stuff for their families so that other real Americans could do the same thing.” Some are like Micah and his mother, who cannot afford it. Others are like Winter Nomura and her grandfather, who live partly off the grid because Winter’s parents were arrested and held in Detention years ago.
Before Nora realizes the impact memory erasure has had on her life, on her family, she was the type of girl who loved nothing more than shopping and being “glossy.” Now she is aware, seeing and realizing things for the first time and she wants to do something. That something is making friends with Micah and Winter, the arty crowd. That something is creating a comic with Micah called Memento, about the memories they erased and why. Winter helps them make copies and distribute it in school. One of the memories Micah fought to keep is of a black van by an explosion. It turns out, the black van is important — and a threat. People will do almost anything to stop Nora, Micah, and Winter.
The story is told by Nora, Micah, and Winter in “Therapeutic Statements” at a TFC. From the start, the reader knows… whatever these three teens are telling us, they are soon going to be forced to forget.
Memento Nora is tightly written and stands alone. However, there are certain threads that remain open, mainly about Winter’s parents and Micah’s father. A second book set in this world, The Forgetting Curve, is due next spring. The short description at that link gives nothing away; it could be a straight sequel, or it could be something entirely different.
Like Paolo Bacigalupi’s science and world in Ship Breaker, Smibert’s science fiction draws on real science and real events as inspiration, which can lead to some interesting discussions about just how close we are to Nora’s world, both the world of TFC, the world of corporate control and consumer spending, the world of haves and have nots living two separate existences. Finally, Memento Nora is short, the way most young adult novels used to be. It’s 184 pages, with short chapters, a small trim size, and nice font. Those of you who have read one too many paranormals of a bazillion pages know what I mean about just how exciting it is to have a book of this length. The plotting, fast pace, and size, make it a terrific read for reluctant readers.
This was recommended by Diana Tixier Herald at her program at the recent NJLA conference. Off to find some of the other books she talked up!