The Plot: Standish Treadwell, fifteen, is dyslexic. He has different colored eyes, one blue, one brown. He lives with his grandfather; his parents are gone. He had one friend, Hector, and Hector is also gone.
Standish’s world is one of fear and lies, of hiding and barely surviving. The red and black flag of the Motherland hangs on the classroom wall. People who are different, people who question, people who have something wrong with them, disappear, either to be maggot meat or to be reeducated.
The Motherland is about to prove its world superiority by putting a man on the moon.
Hector discovered a secret behind the wall of Zone Seven. A secret that may place Standish in danger. Should he run? Or is it possible to fight back?
The Good: While I had heard of Maggot Moon before it got a Printz Honor, I hadn’t paid much attention to what it was about. Which means that when I began reading, I had no idea. “What the heck is going on?” is pretty close to what I was thinking in the first twenty-odd pages.
What is going on? It’s a bit of a puzzle for the reader to put together. There is the Motherland, it’s red and black flag. A war lost. A wall topped with glass. Mothers for Purity. Rewards for large families. And, finally, a date is given: Thursday, 19th July 1956.
Maggot Moon is set in an alternate universe, in an alternate history, a timeline a wee bit different from our own. Standish’s country lost a war years and years ago; and now Standish lives in dystopian world. Standish is telling the story, in his own way, which means that it’s simply his story. There is little explanation or exposition. Instead, the reader can fill in the pieces, try to connect the dots, attempt to understand. Just from that, from how the story is told, is enough to see why this got a Printz nod.
And the language, Standish’s turn of phrase! “The what ifs are as boundless as the stars,” which describes not just life but also the chain of history that creates Standish’s world. Later, he describes “my heart an egg bumping against the side of a pan of boiling water.”
The setting and Standish’s world is another element. His school is harsh and demanding, with bullies among both students and teachers. A brutal death half way through illustrates just how precarious and dangerous Standish’s world is. It also shows some surprising sides of people Standish knows. It’s not a simple place or time.
In some ways, Standish seems young. He dreams of escape, of the land of Croca-Cola and Cadillacs. Since the Motherland will soon land on the moon, he dreams of a better planet, Juniper, to escape to, He builds a small spaceship out of odds and ends, half believing it will work. What he describes is far from young: the circumstances surrounding his parents disappearances. People becoming maggot meat. A brutal death. And the end . . . what Standish ends up doing, and the results, are quite serious. This is a perfect example of how a book can be about serious, dark things, yet does so in a way that it takes a while to realize just how dark it is.
I wonder at what age the readers will fully appreciate the clues as to what Standish’s world is, and isn’t. While “Nazis” and “Soviets” are never terms that are used, it seems that his world is one where a country such as Nazi Germany or Soviet Russia conquered England and controls most of Europe. (Personally, I only considered a Nazi occupied England; reading other reviews is what made me also think it could be the Soviets, or any dictatorship.) Croca-Cola reminds one of another, very American beverage, as does the references to Cadillacs and a TV show starring a woman having a ball. (If you get that last one, that’s exactly what I mean by what is needed to fully understand the time and place and alternate history of Standish’s world.)
What, you may be asking, did Hector discover? It’s a stunning secret, and it not only brings about Hector and his family disappearing but also forces Standish to take a stand.